Lulu gets serious!

 

When I turned 70 on November 21, 2017, people asked how I wanted to celebrate. Would I like to have a party, go on a trip or just mark the occasion with food, wine and cake? The question gave me pause. What could I do that would give more profound meaning to a major turning point in my life?

https://www.vancitycommunityfoundation.ca/give/donor-advised-funds/lulu-fund

So, the idea for the Lulu Fund was born. Why Lulu? Well, many old friends and family know me as Lulu! And I like it, so, I decided to celebrate the big event by setting up the fund through the VanCity Community Foundation.

The Lulu Fundprovides small donations to Vancouver-based community arts and social justice organizations. In particular, the fund supports organizations or groups that focus on issues of marginality – community theatre, senior citizens, Indigenous and other youth, women’s equality and the environment.

Some of the organizations the Lulu Fundsupports include: 411 Seniors Centre, Vancouver Moving Theatre (community theatre based in the Downtown Eastside), Urban Native Youth Association, Pivot Legal Society, Women Against Violence Against Women (WAVAW), WISH Drop-in Centre, the Firehall Arts Centre and the Pacific Salmon Foundation.

Today, as I near the beginning of my 71st year, I’m following up on the question of how I want to celebrate my entry into a new decade.

Since this is also the time of year when many people think about annual charitable donations, I’ve decided to invite you to celebrate with me by considering a contribution to the LuluFund. You would receive a tax receipt for donations of $20 or more. Here’s the link!

https://www.vancitycommunityfoundation.ca/give/donor-advised-funds/lulu-fund

Donors contributing in 2018 will receive a tax receipt from the Lulu Fundfor this year. All donations will be added to the fund.The fund accumulates interest as it goes along, which will help to increase the total amount available for the donations the Lulu Fund will make in 2019 and beyond.

Thanks for considering the Lulu Fundas part of your 2018 charitable giving.

With love and hope for a more equitable future for all,

Lulu

P.S. If you’d like to read more about the organizations the Lulu Fundsupports, here are some links to check out:

 

411 Seniors Centre www.411seniors.bc.ca

Vancouver Moving Theatre http://vancouvermovingtheatre.com/

Urban Native Youth Association https://unya.bc.ca

Pivot Legal Society http://pivotlegal.org/

Women Against Violence Against Women (WAVAW) http://www.wavaw.ca

The Pacific Salmon Foundation https://.psf.ca

WISH Drop-in Centre  wish-vancouver.net

The Firehall Arts Centre http://firehallartscentre.ca

 

 

 

 

 

Environmental Justice As Liberation: No Consent, No Pipeline, No Kinder Morgan

The headline above is for a piece posted by 

As someone whose SFU Masters Thesis focused on the importance of creativity in resistance I find it exciting and hopeful to see the  Carnival playing out right here, in British Columbia. People’s resistance taking place in so many venues — Indigenous rights and consent, housing affordability and availability throughout the province, pipelines, fracking, massive hydro power dams, fish farms and more.  British Columbians and Canadians right across the country are speaking up and doing so with creativity.

In the Lower Mainland of British Columbia the battle to stop the Kinder Morgan Pipeline is heating up.  This piece by Sarah Beuhler gives an excellent overview of the strategy involved in mobilizing and fighting this project.

Stop KM
Burnaby Mountain, April, 2018

Against the power of governments who were falsely elected on the basis of new, community driven strategies with collusion from corporate driven mainstream media,  the Kinder Morgan pipeline battle in BC, as well as the Fight against Site C and ocean-based fish farms and fracking are  examples of  mobilizations  to protect land and water and the beings who depend on them. They are led by Indigenous leaders from the BC Union of Indian Chiefs to hundreds of small communities whose lives and livelihoods are historically and legally tied to the unceded territories. And settlers are following — finally.

Across Canada, in North and South America and throughout the colonized world, Indigenous Communities are fighting back with vigour and great creativity and are being joined by thousands, millions of settler communities who have learned to respect and understand that without the full and prior consent of the Indigenous in traditional territories , the land’s truth keepers —  sustainable progress will not ensue.

Sarah’s piece invites the public to understand the story of the Kinder Morgan Pipeline currently in an expansion mode that could increase the flow of Bitumen by 7 times what is currently transported via pipeline from Alberta.

It would then be loaded onto huge tankers 7 per week and carted off to who knows where.  Bitumen is described in Cambridge English dictionary as  “a black viscous mixture of hydrocarbons obtained naturally or as a residue from petroleum distillation. It is used for road surfacing and roofing.” Thin that out for easy flow with toxic chemicals and imagine what is travelling through the mountains across the lands, under the rivers and under the inlet and could increase to the point of danger.

Sarah’s Coast Protector story is the full story of the project and the strategies that have been developed, used, set aside and re-considered.

I hope you find it as instructive as I did.  As for the Carnival, think of the massive strategically organized resistance against the Dakota Pipeline, of the thousands of actions organized by Indigenous people against Canadian and other mining companies in their territories and the demands to stop massive dams, stop polluting rivers, stop exploiting for profit without thought of human survival. Think of all the tiny houses being built along the Trans Mountain Pipeline route, think of the years and years of protests ongoing against the Site C Dam. The songs, performances, cyber actions,  public arrests, the displays of respectful resistance are all marks of the carnival.

In my brief look at carnival I examined resistance against a backdrop of social and political movements whose histories were linked to the carnival through their disdain for power from above and their creative means of subverting that power.

At Kinder Morgan, Site C and throughout the world of resistance, let the carnival continue with thanks.

 

THE SOUTH LAWN (click here to read Sarah’s piece) 

Watchouse
The Watch House

 

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